BUCK ELLISON
b. 1987, San Francisco
Lives and works in Los Angeles
MAIL
margaretfshowalter@gmail.com
SCHOOL
HFBK Frankfurt a.M. Städelschule, 2014
Columbia University, 2010
B.A. German Literature
B.A. Art
TALKS
Modern Art Notes Podcast, 2021
Huntington Museum, 2021
Nicholas Barlow on Buck Ellison, Hammer Museum, 2021
Paris Photo-Aperture Foundation, Delpire & Co., 2021
Louisiana Channel, Louisiana Museum, 2019
b. 1987, San Francisco
Lives and works in Los Angeles
margaretfshowalter@gmail.com
SCHOOL
HFBK Frankfurt a.M. Städelschule, 2014
Columbia University, 2010
B.A. German Literature
B.A. Art
TALKS
Modern Art Notes Podcast, 2021
Huntington Museum, 2021
Nicholas Barlow on Buck Ellison, Hammer Museum, 2021
Paris Photo-Aperture Foundation, Delpire & Co., 2021
Louisiana Channel, Louisiana Museum, 2019
SHOWS
16th Lyon Biennale Of Contemporary Art: Manifesto Of Fragility, 2022
Whitney Biennial 2022: Quiet as It’s Kept, Whitney Museum of American Art, 2022
Slip Lead, Stora Sunby Castle, Stockholm, 2021
Made in L.A. 2020: a version, Hammer Museum, Los Angeles; Huntington Museum, Pasadena, 2020
Useful Life, Balice Hertling, Paris, 2019
Tender Option, The Sunday Painter, London, 2019
Antarctica, curated by Nicolaus Schafhausen and Vanessa Joan Müller, Kunsthalle Wien, 2018
The Meeting, New York, 2017
Louisa, Balice Hertling, Paris, 2016
Modesty, Weiss Berlin, 2016
Mad Horizon, Index, Stockholm, 2016
The Sun Placed In The Abyss, Columbus Museum of Art, Columbus, 2016
Country Day, Bad Bentheim Castle, Burg Bentheim, 2015
16th Lyon Biennale Of Contemporary Art: Manifesto Of Fragility, 2022
Whitney Biennial 2022: Quiet as It’s Kept, Whitney Museum of American Art, 2022
Slip Lead, Stora Sunby Castle, Stockholm, 2021
Made in L.A. 2020: a version, Hammer Museum, Los Angeles; Huntington Museum, Pasadena, 2020
Useful Life, Balice Hertling, Paris, 2019
Tender Option, The Sunday Painter, London, 2019
Antarctica, curated by Nicolaus Schafhausen and Vanessa Joan Müller, Kunsthalle Wien, 2018
The Meeting, New York, 2017
Louisa, Balice Hertling, Paris, 2016
Modesty, Weiss Berlin, 2016
Mad Horizon, Index, Stockholm, 2016
The Sun Placed In The Abyss, Columbus Museum of Art, Columbus, 2016
Country Day, Bad Bentheim Castle, Burg Bentheim, 2015
PRESS
Wiley, Chris, “What Old Money Looks Like In America, And Who Pays For It,” The New Yorker, 1 August 2021.
Sawyer, Drew, “Openings: Buck Ellison,” Artforum, Summer 2017, p. 336-341.
Ben Salah, Myriam, “Guilty Pleasure,” Kaleidoscope, Fall 2018, p. 228-342.
Bengal, Rebecca, “Buck Ellison,” Aperture, September 2017, p. 100-107.
Ellison, Buck and Marina Pinsky, “Comfort Is Tricky,” Mousse, 20 April 2017.
Thawley, Dan, “Buck Ellison,” L’Uomo Vogue, 1 November 2017, p. 201-203.
Abel-Hirsch, Hannah, “An unlikely portrait of W.A.S.P America,” British Journal of Photography, 22 April 2020.
Wiley, Chris, “What Old Money Looks Like In America, And Who Pays For It,” The New Yorker, 1 August 2021.
Sawyer, Drew, “Openings: Buck Ellison,” Artforum, Summer 2017, p. 336-341.
Ben Salah, Myriam, “Guilty Pleasure,” Kaleidoscope, Fall 2018, p. 228-342.
Bengal, Rebecca, “Buck Ellison,” Aperture, September 2017, p. 100-107.
Ellison, Buck and Marina Pinsky, “Comfort Is Tricky,” Mousse, 20 April 2017.
Thawley, Dan, “Buck Ellison,” L’Uomo Vogue, 1 November 2017, p. 201-203.
Abel-Hirsch, Hannah, “An unlikely portrait of W.A.S.P America,” British Journal of Photography, 22 April 2020.
BOOKS
Untitled (Gibson Dunn), Piglet Press, coming soon
Living Trust, Loose Joints, 2020 (monograph)
Blight, Daniel, The Image of Whiteness: Contemporary Photography and Racialization, Self Publish Be Happy, 2019
Sawyer, Drew, The Sun Placed In The Abyss, Columbus Museum of Art, 2016
Wandering #2, Museum für Gegenwartskunst Basel, Switzerland, 2012
Untitled (Gibson Dunn), Piglet Press, coming soon
Living Trust, Loose Joints, 2020 (monograph)
Blight, Daniel, The Image of Whiteness: Contemporary Photography and Racialization, Self Publish Be Happy, 2019
Sawyer, Drew, The Sun Placed In The Abyss, Columbus Museum of Art, 2016
Wandering #2, Museum für Gegenwartskunst Basel, Switzerland, 2012
