BUCK ELLISON
b. 1987, San Francisco
Lives in Los Angeles
MAIL
buckellison@gmail.com
SCHOOL
HFBK Frankfurt a.M. Städelschule, 2014
Columbia University, 2010
B.A. German Literature
B.A. Art
b. 1987, San Francisco
Lives in Los Angeles
buckellison@gmail.com
SCHOOL
HFBK Frankfurt a.M. Städelschule, 2014
Columbia University, 2010
B.A. German Literature
B.A. Art
SHOWS
Made in L.A. 2020: a version, Hammer Museum, Los Angeles; Huntington Museum, Pasadena, 2020
Useful Life, Balice Hertling, Paris, 2019
Tender Option, The Sunday Painter, London, 2019
Malmö Sessions, Carl Kostyál, Malmö, 2019
Antarctica, curated by Nicolaus Schafhausen and Vanessa Joan Müller, Kunsthalle Wien, 2018
Sittenbilder, Galerie Conradi, Hamburg, 2019
The Meeting, New York, 2017
Golden State, curated by Drew Sawyer, Marianne Boesky Gallery, New York, 2017
Louisa, Balice Hertling, Paris, 2016
Modesty, Weiss Berlin, 2016
Mad Horizon, Index, Stockholm, 2016
The Sun Placed In The Abyss, Columbus Museum of Art, Columbus, 2016
Country Day, Bad Bentheim Castle, Burg Bentheim, 2015
Villa Aurora Revisited, Balice Hertling, New York, 2015
Pashmina, Museum für Moderne Kunst Frankfurt, 2014
Snakes in the Grass, Laura Bartlett Gallery Project Space, London, 2014
Made in L.A. 2020: a version, Hammer Museum, Los Angeles; Huntington Museum, Pasadena, 2020
Useful Life, Balice Hertling, Paris, 2019
Tender Option, The Sunday Painter, London, 2019
Malmö Sessions, Carl Kostyál, Malmö, 2019
Antarctica, curated by Nicolaus Schafhausen and Vanessa Joan Müller, Kunsthalle Wien, 2018
Sittenbilder, Galerie Conradi, Hamburg, 2019
The Meeting, New York, 2017
Golden State, curated by Drew Sawyer, Marianne Boesky Gallery, New York, 2017
Louisa, Balice Hertling, Paris, 2016
Modesty, Weiss Berlin, 2016
Mad Horizon, Index, Stockholm, 2016
The Sun Placed In The Abyss, Columbus Museum of Art, Columbus, 2016
Country Day, Bad Bentheim Castle, Burg Bentheim, 2015
Villa Aurora Revisited, Balice Hertling, New York, 2015
Pashmina, Museum für Moderne Kunst Frankfurt, 2014
Snakes in the Grass, Laura Bartlett Gallery Project Space, London, 2014
PRESS
Sawyer, Drew, “Openings: Buck Ellison,” Artforum, Summer 2017, p. 336-341.
Ben Salah, Myriam, “Guilty Pleasure,” Kaleidoscope, Fall 2018, p. 228-342.
Bengal, Rebecca, “Buck Ellison,” Aperture, September 2017, p. 100-107.
Ellison, Buck and Marina Pinsky, “Comfort Is Tricky,” Mousse, 20 April 2017.
Mateos, Pierre-Alexandre, “Buck Ellison’s Louisa at Balice Hertling,” Flash Art, 22 December 2016.
Thawley, Dan, “Buck Ellison,” L’Uomo Vogue, 1 November 2017, p. 201-203.
Abel-Hirsch, Hannah, “An unlikely portrait of W.A.S.P America,” British Journal of Photography, 22 April 2020.
“Images of the Middle Class,” Louisiana Channel, Louisiana Museum, 2019.
Denny, Peter, “Buck Ellison: Fils de Bonne Famille?,” Numéro Art, Issue 3, p. 182-191.
Béraud, Indira, “Review: Buck Ellison’s Useful Life at Galerie Balice Hertling, Paris,” Flash Art, 11 December 2019.
“Buck Ellison: An Orange For Christmas,” Closing Ceremony, p. 48-60.
Sawyer, Drew, “Openings: Buck Ellison,” Artforum, Summer 2017, p. 336-341.
Ben Salah, Myriam, “Guilty Pleasure,” Kaleidoscope, Fall 2018, p. 228-342.
Bengal, Rebecca, “Buck Ellison,” Aperture, September 2017, p. 100-107.
Ellison, Buck and Marina Pinsky, “Comfort Is Tricky,” Mousse, 20 April 2017.
Mateos, Pierre-Alexandre, “Buck Ellison’s Louisa at Balice Hertling,” Flash Art, 22 December 2016.
Thawley, Dan, “Buck Ellison,” L’Uomo Vogue, 1 November 2017, p. 201-203.
Abel-Hirsch, Hannah, “An unlikely portrait of W.A.S.P America,” British Journal of Photography, 22 April 2020.
“Images of the Middle Class,” Louisiana Channel, Louisiana Museum, 2019.
Denny, Peter, “Buck Ellison: Fils de Bonne Famille?,” Numéro Art, Issue 3, p. 182-191.
Béraud, Indira, “Review: Buck Ellison’s Useful Life at Galerie Balice Hertling, Paris,” Flash Art, 11 December 2019.
“Buck Ellison: An Orange For Christmas,” Closing Ceremony, p. 48-60.
BOOKS
Living Trust, Loose Joints, 2020 (monograph)
Blight, Daniel, The Image of Whiteness: Contemporary Photography and Racialization, Self Publish Be Happy, 2019
“Little Brother of War,” havenot, Heji Shin and Heinz Peter Knes, 2017
Sawyer, Drew, The Sun Placed In The Abyss, Columbus Museum of Art, 2016
Goetz, Anna, Pashmina, Museum für Moderne Kunst Frankfurt, 2014
Wandering #2, Museum für Gegenwartskunst Basel, Switzerland, 2012
PUBLIC COLLECTIONS
Aïshti Foundation, Beirut
Los Angeles Museum of Contemporary Art
Living Trust, Loose Joints, 2020 (monograph)
Blight, Daniel, The Image of Whiteness: Contemporary Photography and Racialization, Self Publish Be Happy, 2019
“Little Brother of War,” havenot, Heji Shin and Heinz Peter Knes, 2017
Sawyer, Drew, The Sun Placed In The Abyss, Columbus Museum of Art, 2016
Goetz, Anna, Pashmina, Museum für Moderne Kunst Frankfurt, 2014
Wandering #2, Museum für Gegenwartskunst Basel, Switzerland, 2012
PUBLIC COLLECTIONS
Aïshti Foundation, Beirut
Los Angeles Museum of Contemporary Art
